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The surface sheen of the movie which never digs far enough to get a good grip on the characters, is finally broken with the post film credits, that feature photos and historic summaries of the aftermath

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The longest sequence in the movie is Smoker #10, 7:43 in which we see a rock-and-roll dude who looks to be in his mid-fifties, with paint on his fingernails and his watch worn workman-style on the inside of his wrist (further Marlboro Man iconography at play here.) Some may recognise him as cultural theorist Dick Hebdige (a longtime pal and fellow-traveller of Benning's, and author of 1979's seminal Subculture: The Meaning of Style ), others may not know the face but will spot the name in the end credits and spool back through their memories to see which one he might have been

Modern European tobacco regulations cap tar and nicotine levels, so todays Gauloises are milder than the throat-hitting originals older smokers remember