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It could have been part of a depiction of Saint Sebastian
lazurite gems
Holes are punched along the outlines of the original design followed by "pouncing" which is the application of powdered pigments that leaves a series of dots to create the tracing for the piece
17th century Italian church base decorated with a fossil shell and coordinating gold leaf shells on a polished agate base
M128 17th Century It could have been partVulnerabilita A 17th century Italian painting with a hand carved 17th century arm. It is framed with 17th and 18th century Italian angel wings and adorned with rare minerals and an agate heart. For this piece, it gives a visual of vulnerability. The arm is reaching out of the painting with a heart in hand and a man turned away. However, there are angels surrounding the painting, pointing to the idea that fear of rejection can inhabit vulnerability but
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