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Moreover, it does so through exploiting the very techniques that produce the male gaze in cinema: shot reverse-shot editing patterns that can be used to align the camera and the audiences perspective with the diegetic look of the male character.[ (( Laura Mulvey, Visual Pleasure and Narrative Cinema, Screen , Volume 16, Issue 3 (Autumn 1975): 12

Plus, if you try to set it down somewhere you run the risk of forgetting it, or getting wine spilled on it